GENERAL CONDITIONS OF USE
Users are requested to read and periodically review these conditions before using and / or contracting the Services and Products of MONEO BROCK, who is entitled to withdraw or unilaterally modify the website or its services, as well as the terms and conditions of access. With the use of this Website, the User agrees to be bound by these conditions.
The general conditions of use of MONEO BROCK, regulate the access and use of the Website https://moneobrock.com/en (hereinafter the "Web"), in which the company offers information, news, projects and publications related to the studio.
MONEO BROCK will put all the material and legal means necessary to avoid the unwanted inclusion in this web page of elements that could be introduced in it by third parties unrelated to MONEO BROCK against the Legal Notice and its authorized uses. MONERO BROCK will respond only to the exclusive use of this Web and in no case of the elements that have been introduced by unauthorized third parties.
Access to this Web is open and free and its use does not require prior subscription, registration or contracting of any service.
MONEO BROCK reserves the right to suspend or terminate, at any time and without prior notice, all or part of the services offered on this website.
The user indemnifies MONEO BROCK in respect of any loss, damage or expense that may be suffered in connection with the use or abuse of the Web Site by the user for any illegal or prohibited purpose, in accordance with the provisions of these conditions.
Limitation of liability
MONEO BROCK is exempt from any type of liability arising from damages and losses of any kind that may be caused, and specifically those described below:
Obligations of the User
In general, the User undertakes to comply with the terms and these General Conditions, as well as to comply with the special warnings, instructions for use contained therein or on the Website, and to always act in accordance with the Law.
The User agrees in the same way, to use diligence appropriate to the nature of the service that they enjoy, abstaining from using the Web page in any way that could prevent, damage or deteriorate the normal functioning of the same, of the goods or rights of MONEO BROCK, its suppliers, the rest of the Users or, in general, any third party; The user assumes any and all may arise from the breach.
Specifically, and without implying any restriction to the obligation assumed by the User in general in accordance with the previous paragraph, the User agrees, in the use of this Website to:
MONEO BROCK declares through these Conditions, that it has adopted all the necessary measures, within its possibilities and the state of the art, to guarantee the functioning of the Web and to minimize the errors of the system, both from the legal perspective and as an organization.
MONEO BROCK will adopt all the timely and necessary measures to ensure a rapid answer, without taking responsibility for those delays resulting from telecommunications services.
Participation in forums, chats, social networks and virtual communities
MONEO BROCK is not responsible for the information or comments made on social networks or any other means that allow third parties to publish information on the Web Portal. The messages published in these spaces represent only the opinion of their authors and not those responsible for the web.
By making use of these spaces, Users agree not to publish abusive, discriminatory, obscene, vulgar material related to any form of violence, threatening or any other that in any way violates the laws in force. Regardless of these, Users accept that MONEO BROCK may exercise its moderator powers and delete, edit, move or close any message that may be considered inappropriate or not pertinent.
It is reported that the Web https://moneobrock.com/en may contain links or links to other portals or websites not managed by MONEO BROCK. Likewise, MONEO BROCK, states that it does not exercise any control over said portals or Web sites, nor is it responsible for the content therein
The links that this Web could contain will be offered only in the form of informative references, whose purpose is to provide other contents that are considered of interest.
MONEO BROCK does not assume any type of direct or indirect responsibility in relation to the legality, veracity, usefulness, quality or reliability of the contents that are not directly managed or controlled by them, although they may be accessible through the Web.
Intellectual and industrial property
MONEO BROCK reserves the intellectual property rights of the Web as those elements that make up the visual appearance, graphic image and other information, as well as the software, technology, distinctive signs and logos. The contents and works reproduced in this Web are property of MONEO BROCK or have the necessary permissions for their use and therefore they are protected by the intellectual property notification. Therefore, the provision and use, possible consultation or download does not imply in any case the transfer of any type of right over the intellectual or industrial property of the aforementioned material or content.
In the same way, the domain and all those contents, publications, information, graphics, drawings, photographs, recordings and / or any other content accessible through https://moneobrock.com/es belong exclusively to MONEO BROCK or this account with rights and / or authorizations for its use.
It is strictly forbidden the reproduction, transformation, distribution, public communication, making available to the public and, in general, any other form of exploitation, partial or total of the elements referred to in the previous sections. Its publication on other websites or other digital or written media, requires the express consent of the owner of the Website and, in any case, will appear with explicit reference to the ownership of the intellectual property rights of MONEO BROCK. Anyone who carries out any of the conducts described in this section must indemnify MONEO BROCK.
MONEO BROCK reserves the right to exercise legal actions against users who violate or infringe intellectual or industrial property rights, including damages caused. Likewise, the user undertakes to indemnify MONEO BROCK for any loss or damage that may be caused by the improper use of this website.
Applicable legislation, competent jurisdiction and notifications
These conditions are governed and interpreted in accordance with applicable Spanish and European legislation (GDPR)
For any dispute that may arise in relation to the services provided through this website, they should be taken up with the courts of the city of Madrid (Spain).
MONEO BROCK will pursue the breach of these Conditions, as well as any improper use of the website by exercising all civil and criminal actions that may correspond to and assist in law.
This is a project for a small family in a venerable SoHo building. The need for a series of small private rooms combined with the constraints imposed by the existing building led us to propose a double-loaded corridor as the basic plan diagram. This solution makes the most of available daylight, and proves effective in allowing for the most spacious of public and family gathering areas to the east.
The introduction of curves in the plan arrangement of the walls seems at first willful, but it must also be admitted that the programmatic needs of the spaces either side of the corridor pushed and pulled at their respective lines of enclosure, vying for their share of the space available. In this way a straightforward plan diagram is not just enlivened with curves and colors, but also worked into something elegant and efficient for the accommodation of the needs of the family, and an attenuated approach to the main open areas of the loft is infused with mystery and meaning.
The church “El Señor de la Misericordia” is located in the center of a new town-like urban development in Monterrey, Mexico, surrounded by an impressive mountain landscape. The most important factor in the siting and orientation of the church is its relationship to the largest open space of the development, a verdant plaza. Its main entry opens right onto the plaza, and with an unobstructed width of 11.5 meters (38 feet), this opening allows for the visual connection between the church’s interior space and the plaza. This entry is at once delineated and protected by a large trapezoidal canopy cantilevered off the main façade.
Above the entry canopy, the façade is a large flat wall without fenestration or ornament, an emphatic and nearly square plane, declarative of the otherness of the space behind and within: the sacred space of the church interior. Its blatant frontality toward the square is entirely intentional.
It is thought that the plaza can function as an annex to the church, with religious celebrations and rites spilling out of doors when attending crowds exceed the church’s capacity of 350 worshippers. On the other hand, when the bustle of the square comes into conflict with the solemnity of the church’s activities, large sliding screens attenuate the connection to the square and restore the peaceful atmosphere to the temple interior.
The project aims to go beyond the accommodation of religious rituals and liturgical events as currently practiced in Monterrey, to where the spaces of the temple represent the development of an architectural language with a very long history, where the architecture speaks of both continuity and renewal, finding references to a great heritage of ecclesiastical architecture while simultaneously remaining unquestioningly contemporary. The temple is seen not just as a place of meditation but as a social and educational center as well.
While the character of the church is undoubtedly contemporary, its volumetric concept was derived from traditional church plans; the design presents recognizable architectural features taken from early Christian temple prototypes such as the bell tower, the stained-glass windows, the frontal altar, the baptistery, the choir, the three chapels and the lateral courtyard. The architectural proposal is therefore thought to be both recognizable and new.
Being free-standing and in the center of the new town development, the configuration of the exterior volume presents a design that, while modern, communicates solidity and aplomb. The rotund forms are thought to be reminiscent of the first missions built by Friar Junipero throughout the American Southwest, constructed of wood and adobe.
The 43 meter- (141 foot-) -tall bell tower can be seen from a great distance, and serves as a landmark and reference for drivers on the highway to Santiago, on which Pueblo Serena is located.
The plan is that of a basilica, with a rectangular central nave some 15 meters wide, 18 meters long and 15 meters high (W:49 feet, L:59 feet, H:49 feet), its long axis running north-south and oriented towards the altar. There are multiple sources of natural light in the interior. Behind the baptistery a long glass wall runs the length of the nave giving views of an enclosed patio. The glass is protected from direct sun by a lightweight horizontal sunscreen projecting into the patio space, and the visual connection to the surrounding urban areas blocked by a massive stone screen at the patio perimeter. Within the patio, a water fountain spills a cascade of streams into a lower patio at the basement level.
Above the baptistery is a version of a rose window, a nine-square grid opening to the west with colored glass. To the southeast, three small chapels each enjoy daylight from high skylights, each one oriented towards a different cardinal direction so that the color and level of light in each chapel changes throughout the day. Finally, above the altar is a fourth high skylight, whose light washes down behind an inclined panel cut into four sections to reveal a large Latin cross, the cross glowing with the light from above.
As with all churches, the acoustics of the central nave were of paramount importance. The renowned acoustic engineers of Arau Asociados made a thorough study of the conditions inside the church and helped us develop a detailed approach to the configuration of its interior surfaces, including the application of diffusing wood battens on selected walls, notable behind the altar, at the back of the three chapels and the choir, and over the entry door.
Sustainable solutions were sought at every opportunity. After ensuring the project’s incorporation of thermal insulation of far and away greater performance characteristics than is typically used in local construction, we devised a system of natural ventilation that takes advantage of the bell tower’s great height to create a strong chimney effect drawing air through large-scale grills incorporated in the entry façade. Daylighting was also carefully studied to be sufficient without the need for electrical lighting in all spaces for use and work, while at the same time we took great pains to avoid insolation during the hotter months, to keep the thermal gains as low as possible. Finally, much of the building program is located underground, where temperatures are constantly comfortable, with daylight being provided by generous sunken patios.
The interior design is fully integrated with the architecture, and the furnishings are by Moneo Brock, from the wood benches to the altar, the choir and the multiple screens, the sliding doors at the entry, the doors to the main sanctuary and the screen that separates the baptistery from the central nave. We also designed elements of a more artistic nature, such as the stained glass windows of the “rose window” (a reinterpretation of the gothic feature, here oriented to the west for maximum effect during the evening Mass), the stained glass at the entry to the ossuaries, and the two sanctuaries, sunbursts made of gold or silver triangles canted to catch light from all angles.
Various artworks were commissioned for the church under Moneo Brock’s curatorial guidance: a large sculpture of Christ on the cross carved in wood by the Galician artist Francisco Leiro, a mural in encaustic of John Paul II in the third chapel painted by Pedro Cuní of New York, and a tall painting of the Christ the Merciful by Carmen Pinart of Madrid, now hanging in the second chapel. These pieces by contemporary artists, respectful of the traditional content called for by church’s benefactors and clergy, complete the space.
Thanks to the opening up of two large sunken patios, the various spaces on the basement level are flooded with natural light. Around the north patio are the parish’s administrative offices. The patio to the west with the cascading waterfall has to one side classrooms and multifunctional spaces for the community and to the other the ossuaries and a small chapel for funeral rites, spaces that are made more private in their location behind the waterfall. One of the challenges facing us in the design of the basement was the need to connect to the commercial atrium at the lower level; to create a space of transition between atrium and church, we designed a vestibule lit by an open-air, prismatic skylight and, immediately below it, a reflecting pool.
The landscape design of Harari LA successfully integrates the architectural concept with that of the larger urban project, using Holm oaks and a spectacular control and selection of the planted material to mediate between the different built structures that compose the larger development.
Plaza Serena (Real Estate in Huajuco Canon)
Carretera Federal 500, Monterrey México
Belén Moneo, Jeffrey Brock
Irene Alberdi, Andrés Barrón, Fabrice Leray
Fabrice leray, Andrés Barrón
RGT Engineering (Gerardo Hernández)
Arau Acustic (Higiniarau)
The project proposes the recovery of an essential public space for Sencelles, Plaza de la Villa , which is currently a place colonized by cars and where the protected architectural elements do not get the attention they deserve because they conflict with the priority vehicular use of the square. Consequently, it is an action on an area that offers a great opportunity to recover a space of universal accessibility. In short, it is a square for everyone that keeps alive what was the history of the town and allows the coexistence of all social groups.
The new design of the square unifies the pavement with the sidewalks, widening the square, erasing the existing boundaries and architectural barriers, which together with the proposed traffic detour will allow the creation of a more fluid public space with greater flexibility for its different uses: from rest and the weekly Saturday market to traditional festivities.
It will therefore become an enclosure in which, guided by the new pavement and a series of pergolas with benches protected by shade and vegetation, will act as outdoor living rooms, allowing the gathering of different groups and ages in each of the spaces generated by the pergolas.
A fundamental aspect of the proposal lies in the universal accessibility to the square. The slight slope, along with a series of strategically placed ramps and a parking lot for the disabled in an ideal place in the square, promote total accessibility for anyone seeking to enjoy this new public space returned to the municipality.
Although the final consolidation of the square as a continuous space is pursued through its pavements, the vegetation and the pergolas act as a filter, not only providing shade but also generating the possibility of carrying out different activities at the same time. The green spaces are reinforced to create, through the vegetation, color, textures and also freshness and microclimates.
The vegetation of the parterres next to the pergolas becomes one of the main elements in the proposal. Through a set of species, which include a small tree grove along with upholstery and climbing plants, a new visual and sensory space is generated in the center of the square. The main idea is that the vegetation can provide color as well as texture in the diversity of greenery, as well as in the flowering of the different species proposed. As it is a public space that aims to host events of different kinds, it has been considered at all times that the species are resistant and easy to maintain.
The existing trees will cover this new vegetation. The project proposes to maintain and protect the existing vegetation, which is considered part of the square's character. An item is allocated in the cost estimate provided for the protection of these large and important trees during the construction process.
Ayuntamiento de Sencelles
Sencelles, Mallorca, Spain
5009,8 ft ²
Belén Moneo, Jeff Brock
Federico Pérez, Francisco Blázquez
This sustainable proposal seeks to preserve and revitalize the ecosystem of the River Tajo, recuperating this natural area for the enjoyment of all citizens of Talavera pointing out the possibility this Tajo Natural Park, beginning in Talavera, can grow, adding territories and cities in such a way that, in a few years, we could follow the river from the Guadarrama mountain to its mouth in Lisbon.
The project is understood as a series of interventions, all consisting with this promising idea. The River’s protagonism in the Talavera de la Reina cityscape will be reasserted. It will be made accessible for the enjoyment of all citizens through a series of interventions and activities that bring the natural landscape of the river closer to the city. Finally, this park could become a tourist attraction for Talavera at a national level, as a supra-municipal infrastructure, with economic and social opportunities for the whole city.
The proposed solutions and objectives include sustainable measures to improve water quality, recover the habitats and species of this section of the Tajo River, improve the landscape and enable an increase in the use of the river and its banks in forms commensurate with the conservation of its biodiversity and its landscape. Opening the project to citizen participation should furthermore serve to achieve greater knowledge of the river’s history and evolution.
It is intended that the river be for "all" in the broadest sense; allowing the growth of the vegetation and the complex of habitats specific to the place, sheltering numerous autochthonous species of flora and fauna, improving and recovering the enormously attractive scenic landscapes of the river and its fertile plain, and allowing access by the citizens of and visitors to Talavera to the shores and islands for their use and enjoyment. In short, it is about achieving a Natural and Human River Landscape Park.
Confederación hidrográfica del Tajo y Ayuntamiento de Talavera de la Reina
Talavera de la Reina
MONEO BROCK, BLASCO ESPARZA, EIN
Irene Alberdi, Mathilde Noirot