Recent Publications

AD España:
Las grandes sagas familiares de la Arquitectura
40 años. 40 arquitectas e interioristas. 40 obras.
Fuera de Serie: Proyecto REmix,
March 2020
ELLE DECO GREEN: Espíritu global,
March 2020
Mujer x Mujer - Comisaria Marisa Santamaría
NEO2, March 2020
Best in Design
Interior Design, December 2019
Breaking Ground: Architecture by Women
Breaking Ground Architecture by Women, Phaidon, November 2019
Colores y árboles. Tec 205 House by Moneo Brock
Arquitectura Viva 205 'América Importa', July 2018
The American Architecture Prize 2017
International Awards Inc, March 2018
Parish Church in Pueblo Serena
Destination Architecture: The Essential Guide to 1000 Contemporary Buildings. Phaidon, January 2018
Solid Form
The White Book, Design and Architecture D+A, October 2017
"Építészeti Játék És Liturgikus Szertelenség" / "Iglesia El Señor de la Misericordia"
Metszet, Septermber 2017
"Behind the Design: How Unique Glass Blocks Were Created for Moneo Brock’s Seminal Thermal Baths"
Architizer, August 2017
Rafael Moneo + Moneo Brock: Hospital Campus in Vall d’Hebron
Afasia Archzine, July 2017
"Church in Pueblo Serena. Dialogue between public spaces."
OnDiseño, June 2017
Decade of Design
By Interior Design magazine, June 2017
Parish church "El señor de nuestra misericordia"
Arquitectura Viva, February 2017
Parish Church in Pueblo Serena, Best Of Year Award
Interior Design, December 2016
Parish Church in Pueblo Serena
Arquine, September 2016
The Sixth Dimension. Parish Church in Monterrey
Diseño Interior, October 2016
Thermal baths "Termas de Tiberio"
Metalocus, abril 2016
"Museum in Madrid" Espacio Fundación Telefónica
AIT, February 2016
"Visita privada: Una casa racionalista transformada en un mundo de color"
Houzz, October 2015
"Centro Cultural y de eventos Ruinas de San Francisco"
AAA Archivos de Arquitectura Antillana, October 2015
"El patio de mi Hospi" Garden and Playspace Hospital 12 de Octubre
Revista AD Online, July 2015


10 años de diseño
by Diseño Interior
ICONNO inaugura "Cosas de arquitectos"
Diseño en construcción" en su espacio de Jorge Juan
El Mundo, Metrópoli:
Lo mejor del diseño madrileño de la última década, en el Matadero
Teresa Herrero Living:
Madrid Design Portrait: La excelencia del diseño madrileño
Si pudieras elegir, ¿en qué casa de la historia de la arquitectura vivirías? Reconocidos arquitectos españoles se confiesan
El País Semanal:
Belén Moneo & Jeff Brock: arquitectura sin moldes
Moneo Brock at Madrid Design Portrait, part of Madrid Design Festival 2021
Los retos del Futuro. 9 preguntas clave.
Nos gusta la calle
At home with Belén Moneo
27 Visitas a oficinas de arquitectura en Open House Madrid 2020
"Ahora que hemos conocido Madrid sin contaminación": el manifiesto de tres arquitectas para una ciudad "postcovid"
Arquitectura a dos ruedas
Arquitectura a dos ruedas
DEZEEN: Marc Goodwin
photographs Moneo Brock
_2B space to be. Mujer X Mujer, Diseño en transición
Diseño Interior, January 2020
Presentación del libro Bauhaus Mädels en clausura de la exposición "Mujer X Mujer / Woman X Woman" de _2B space
Tectónica, January 2020
AD 100: Moneo Brock, la fuerza estética del color y la plasticidad
AD, Architectural Digest, December 2019
Marisa Santamaría comisaría la exposición "Mujer X Mujer / Woman X Woman: Artistas que hacen pensar"
Teresa Herrero, December 2019
Una exposición de 9 mujeres llena de diseño, arte y arquitectura
AD, Architectural Digest, December 2019
Casa Tec 205: colour leads the way in Monterrey
LifeStyle, October 2019
Belén Moneo, arquitecta Detailer
Detailer, July 2019
Elle Deco News
Elle Decoration, July 2019
Nada que ocultar
Elle Decoration, June 2019
"Muchas cosas muy importantes" la exposición de Clara Cebrián
Vein, May 2019
Mi casa, su casa
Home Design, May 2019
Casa TEC 205
On Diseño, April 2019
Sofa Sonia D
Casa Viva, March 2019
Objetivo: minimizar el aire acondicionado en una torre vertical
NAN Arquitectura y Construcción, April 2019
"Parámetricas" en la galería _2B space to be
Arquitectura Viva, February 2019
El viaje de tres generaciones de mujeres a la cabeza del diseño
Traveller, March 2019
Envoltura vegetal que habita el espacio
Proyecto Reforma, January 2019
The colours of Spanish design on show in Tokyo
Domus, December 2018
Iglesia en Pueblo Serena
Tectónica Blog, December 2018
Diseño que evoca talentos
Entremuros, November 2018
Belén Moneo, Pensar la Profesión
Interiores, November 2018
Viviendas 5 estrellas: los nuevos parámetros
To Home, October 2018
El salón de Moneo Brock
El Mundo, October 2018
España cromática
Diseño Interior, October 2018
México Lindo
Nuevo Estilo, October 2018
Ein Tanz von Material und Licht
Architektur, October 2018
Zivobarvna prva nagrada srecelova
Naj Dom, October 2018
Casa TEC 205
Habitat, September 2018
Explosión de color en Monterrey, México
Diario Design, September 2018
Casa TEC 205
Bob Magazine, 167 Housing. September 2018
Uma casa colorida com vista para as montanhas no México
Casa Vogue, September 2018
México Moderno
Living, September 2018
Señoras Sillas
ABC, June 2018
Architektur aus Mexiko: vier Bäume und eine Villa Kunterbunt
AD Germany, June 2018
Casa TEC 205
Revista Muros, June 2018
Colourful Barragán-esque house by Moneo Brock wraps four trees in Mexico
Dezeen, May 2018
Moneo brock's colorful casa TEC 205 in monterrey is a homage to mexican architecture
Designboom, Mayo 2018
Casa TEC
Arquine, April 2018
Fiesta Mexicana
DiseñoInterior, May 2018
Estallido de color en Monterrey
El País Semanal, April 2018
Se rifa una CASA
AD Spain, March 2018
Methacrylate Design by Moneo Brock
Tectónica Blog, March 2018
Parish Church in Pueblo Serena
Magaceen, October 2017
Parish Church in Pueblo Serena, winner of the American Architecture Prize 2017
Arquine, October 2017
Espacio Fundación Telefónica
Madrid Style, September 2017
"How to Detail Windows Within Glass Block Constructions"
Architizer, August 2017
"Religious works". Parish church by Moneo Brock
AD Spain, January 2017
Garden and Playspace Hospital 12 de octubre
Diseño Interior, March 2017
"Cutting-edge religious architecture"
Wallpaper, December 2016
Crystalline Church by Moneo Brock
DEZEEN, october 2016
"Moneo Brock Transforms an Underutilized Hospital Rooftop in Madrid into a Playground for Pediatric Patients"
Interior Design, July 2016
"La azotea terapéutica" Garden and Playspace Hospital 12 de Octubre
Diseño Interior, Septembre 2015
Miles Carpet
Catálogo "Una oleada de diseño español", 2016
"En defensa del detalle" Museum Espacio Fundación Telefónica
El Mundo, March 2016
Room, CircuiTree
Producto Fresco. DIMAD, Dicembre 2016
Espacio Fundación Telefónica
Interior Design, January 2011

Broadway Loft

This is a project for a small family in a venerable SoHo building.   The need for a series of small private rooms combined with the constraints imposed by the existing building led us to propose a double-loaded corridor as the basic plan diagram.  This solution makes the most of available daylight, and proves effective in allowing for the most spacious of public and family gathering areas to the east. 

The introduction of curves in the plan arrangement of the walls seems at first willful, but it must also be admitted that the programmatic needs of the spaces either side of the corridor pushed and pulled at their respective lines of enclosure, vying for their share of the space available.  In this way a straightforward plan diagram is not just enlivened with curves and colors, but also worked into something elegant and efficient for the accommodation of the needs of the family, and an attenuated approach to the main open areas of the loft is infused with mystery and meaning.


Parish Church in Pueblo Serena

The church “El Señor de la Misericordia” is located in the center of a new town-like urban development in Monterrey, Mexico, surrounded by an impressive mountain landscape.  The most important factor in the siting and orientation of the church is its relationship to the largest open space of the development, a verdant plaza.  Its main entry opens right onto the plaza, and with an unobstructed width of 11.5 meters (38 feet), this opening allows for the visual connection between the church’s interior space and the plaza. This entry is at once delineated and protected by a large trapezoidal canopy cantilevered off the main façade.  

Above the entry canopy, the façade is a large flat wall without fenestration or ornament, an emphatic and nearly square plane, declarative of the otherness of the space behind and within: the sacred space of the church interior. Its blatant frontality toward the square is entirely intentional.

It is thought that the plaza can function as an annex to the church, with religious celebrations and rites spilling out of doors when attending crowds exceed the church’s capacity of 350 worshippers. On the other hand, when the bustle of the square comes into conflict with the solemnity of the church’s activities, large sliding screens attenuate the connection to the square and restore the peaceful atmosphere to the temple interior.

The project aims to go beyond the accommodation of religious rituals and liturgical events as currently practiced in Monterrey, to where the spaces of the temple represent the development of an architectural language with a very long history, where the architecture speaks of both continuity and renewal, finding references to a great heritage of ecclesiastical architecture while simultaneously remaining unquestioningly contemporary.  The temple is seen not just as a place of meditation but as a social and educational center as well.

While the character of the church is undoubtedly contemporary, its volumetric concept was derived from traditional church plans; the design presents recognizable architectural features taken from early Christian temple prototypes such as the bell tower, the stained-glass windows, the frontal altar, the baptistery, the choir, the three chapels and the lateral courtyard. The architectural proposal is therefore thought to be both recognizable and new.  

Being free-standing and in the center of the new town development, the configuration of the exterior volume presents a design that, while modern, communicates solidity and aplomb. The rotund forms are thought to be reminiscent of the first missions built by Friar Junipero throughout the American Southwest, constructed of wood and adobe.  

The 43 meter- (141 foot-) -tall bell tower can be seen from a great distance, and serves as a landmark and reference for drivers on the highway to Santiago, on which Pueblo Serena is located.

The plan is that of a basilica, with a rectangular central nave some 15 meters wide, 18 meters long and 15 meters high (W:49 feet, L:59 feet, H:49 feet), its long axis running north-south and oriented towards the altar.  There are multiple sources of natural light in the interior.  Behind the baptistery a long glass wall runs the length of the nave giving views of an enclosed patio.  The glass is protected from direct sun by a lightweight horizontal sunscreen projecting into the patio space, and the visual connection to the surrounding urban areas blocked by a massive stone screen at the patio perimeter. Within the patio, a water fountain spills a cascade of streams into a lower patio at the basement level.

Above the baptistery is a version of a rose window, a nine-square grid opening to the west with colored glass.  To the southeast, three small chapels each enjoy daylight from high skylights, each one oriented towards a different cardinal direction so that the color and level of light in each chapel changes throughout the day.  Finally, above the altar is a fourth high skylight, whose light washes down behind an inclined panel cut into four sections to reveal a large Latin cross, the cross glowing with the light from above.

As with all churches, the acoustics of the central nave were of paramount importance.  The renowned acoustic engineers of Arau Asociados made a thorough study of the conditions inside the church and helped us develop a detailed approach to the configuration of its interior surfaces, including the application of diffusing wood battens on selected walls, notable behind the altar, at the back of the three chapels and the choir, and over the entry door.

Sustainable solutions were sought at every opportunity.  After ensuring the project’s incorporation of thermal insulation of far and away greater performance characteristics than is typically used in local construction, we devised a system of natural ventilation that takes advantage of the bell tower’s great height to create a strong chimney effect drawing air through large-scale grills incorporated in the entry façade.  Daylighting was also carefully studied to be sufficient without the need for electrical lighting in all spaces for use and work, while at the same time we took great pains to avoid insolation during the hotter months, to keep the thermal gains as low as possible.  Finally, much of the building program is located underground, where temperatures are constantly comfortable, with daylight being provided by generous sunken patios.

The interior design is fully integrated with the architecture, and the furnishings are by Moneo Brock, from the wood benches to the altar, the choir and the multiple screens, the sliding doors at the entry, the doors to the main sanctuary and the screen that separates the baptistery from the central nave.  We also designed elements of a more artistic nature, such as the stained glass windows of the “rose window” (a reinterpretation of the gothic feature, here oriented to the west for maximum effect during the evening Mass), the stained glass at the entry to the ossuaries, and the two sanctuaries, sunbursts made of gold or silver triangles canted to catch light from all angles.

Various artworks were commissioned for the church under Moneo Brock’s curatorial guidance: a large sculpture of Christ on the cross carved in wood by the Galician artist Francisco Leiro, a mural in encaustic of John Paul II in the third chapel painted by Pedro Cuní of New York, and a tall painting of the Christ the Merciful by Carmen Pinart of Madrid, now hanging in the second chapel.  These pieces by contemporary artists, respectful of the traditional content called for by church’s benefactors and clergy, complete the space.  

Thanks to the opening up of two large sunken patios, the various spaces on the basement level are flooded with natural light.  Around the north patio are the parish’s administrative offices.  The patio to the west with the cascading waterfall has to one side classrooms and multifunctional spaces for the community and to the other the ossuaries and a small chapel for funeral rites, spaces that are made more private in their location behind the waterfall.  One of the challenges facing us in the design of the basement was the need to connect to the commercial atrium at the lower level; to create a space of transition between atrium and church, we designed a vestibule lit by an open-air, prismatic skylight and, immediately below it, a reflecting pool.

The landscape design of Harari LA successfully integrates the architectural concept with that of the larger urban project, using Holm oaks and a spectacular control and selection of the planted material to mediate between the different built structures that compose the larger development.  




Plaza Serena (Real Estate in Huajuco Canon)


Carretera Federal 500, Monterrey México

Building size

17,222 sqft


$ 2.077.717


Belén Moneo, Jeffrey Brock

Architects team

Irene Alberdi, Andrés Barrón, Fabrice Leray

3d model

Fabrice leray, Andrés Barrón

Structural engineer

RGT Engineering (Gerardo Hernández)

Acoustical consultant

Arau Acustic (Higiniarau)


Plaza Serena


Jorge Taboada

Plaza de la Villa, Sencelles

The project proposes the recovery of an essential public space for Sencelles, Plaza de la Villa , which is currently a place colonized by cars and where the protected architectural elements do not get the attention they deserve because they conflict with the priority vehicular use of the square. Consequently, it is an action on an area that offers a great opportunity to recover a space of universal accessibility. In short, it is a square for everyone that keeps alive what was the history of the town and allows the coexistence of all social groups.

The new design of the square unifies the pavement with the sidewalks, widening the square, erasing the existing boundaries and architectural barriers, which together with the proposed traffic detour will allow the creation of a more fluid public space with greater flexibility for its different uses: from rest and the weekly Saturday market to traditional festivities.

It will therefore become an enclosure in which, guided by the new pavement and a series of pergolas with benches protected by shade and vegetation, will act as outdoor living rooms, allowing the gathering of different groups and ages in each of the spaces generated by the pergolas.

A fundamental aspect of the proposal lies in the universal accessibility to the square. The slight slope, along with a series of strategically placed ramps and a parking lot for the disabled in an ideal place in the square, promote total accessibility for anyone seeking to enjoy this new public space returned to the municipality.

Although the final consolidation of the square as a continuous space is pursued through its pavements, the vegetation and the pergolas act as a filter, not only providing shade but also generating the possibility of carrying out different activities at the same time. The green spaces are reinforced to create, through the vegetation, color, textures and also freshness and microclimates.

The vegetation of the parterres next to the pergolas becomes one of the main elements in the proposal. Through a set of species, which include a small tree grove along with upholstery and climbing plants, a new visual and sensory space is generated in the center of the square. The main idea is that the vegetation can provide color as well as texture in the diversity of greenery, as well as in the flowering of the different species proposed. As it is a public space that aims to host events of different kinds, it has been considered at all times that the species are resistant and easy to maintain.

The existing trees will cover this new vegetation. The project proposes to maintain and protect the existing vegetation, which is considered part of the square's character. An item is allocated in the cost estimate provided for the protection of these large and important trees during the construction process.



Ayuntamiento de Sencelles


Sencelles, Mallorca, Spain

Building size

5009,8 ft ²

Commission date

September 2017


Belén Moneo, Jeff Brock

Architects team

Federico Pérez, Francisco Blázquez

Park on the River Tajo

This sustainable proposal seeks to preserve and revitalize the ecosystem of the River Tajo, recuperating this natural area for the enjoyment of all citizens of Talavera pointing out the possibility this Tajo Natural Park, beginning in Talavera, can grow, adding territories and cities in such a way that, in a few years, we could follow the river from the Guadarrama mountain to its mouth in Lisbon.

The project is understood as a series of interventions, all consisting with this promising idea. The River’s protagonism in the Talavera de la Reina cityscape will be reasserted. It will be made accessible for the enjoyment of all citizens through a series of interventions and activities that bring the natural landscape of the river closer to the city. Finally, this park could become a tourist attraction for Talavera at a national level, as a supra-municipal infrastructure, with economic and social opportunities for the whole city.

The proposed solutions and objectives include sustainable measures to improve water quality, recover the habitats and species of this section of the Tajo River, improve the landscape and enable an increase in the use of the river and its banks in forms commensurate with the conservation of its biodiversity and its landscape. Opening the project to citizen participation should furthermore serve to achieve greater knowledge of the river’s history and evolution.

It is intended that the river be for "all" in the broadest sense; allowing the growth of the vegetation and the complex of habitats specific to the place, sheltering numerous autochthonous species of flora and fauna, improving and recovering the enormously attractive scenic landscapes of the river and its fertile plain, and allowing access by the citizens of and visitors to Talavera to the shores and islands for their use and enjoyment. In short, it is about achieving a Natural and Human River Landscape Park.



Confederación hidrográfica del Tajo y Ayuntamiento de Talavera de la Reina


Talavera de la Reina



Architects team

Irene Alberdi, Mathilde Noirot